DHOPW42 wrote: Anyway, there's one thing I only realized when I watched the movie for the 2nd or the 3rd time: when they are on the first level in that city, and they've just escaped the ambush and ran into that warehouse, Eames begins to transform into Browning. There's a case in front of Eames on the table that is full of mirrors, and those mirrors are reflecting each other so there are a lot of reflections of Tom Hardy in that case. The scene goes like: we see Hardy - CUT - we see another shot - CUT - we see Hardy again - CUT - we see another shot - CUT we see Hardy for the third time. I think they cut out and on Hardy 3 times (maybe 4), and every time they cut back on Hardy there's an extra image of Browning in the mirrors. In the first shot of this scene all the reflections show Hardy, the next time there are - for example - three Hardy-images and one Browning image and in the last shot there are only images of Browning in the mirrors. It's really cool, check it out if you haven't seen it yet
And in the final shot, we see Browning, with Eames reflected in the mirror. That inversion in the end was a nice touch.