Re: Soundtrack: Göransson Returns
Posted: October 23rd, 2021, 8:30 pm
could you elaborate ? im curious to hear this
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Soundtrack: Göransson Returns
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Re: Soundtrack: Göransson Returns
Posted: October 23rd, 2021, 10:22 pm
Yeah I’m really curious to hear why Dune makes you guys not want Zimmer, I saw the film in theaters yesterday and thought it was incredible and I loved Zimmer’s work in it, I thought it was perfect for the project. I still want Ludwig because he’s more modern but I wouldn’t say Zimmer has lost it or is out of his prime
Re: Soundtrack: Göransson Returns
Posted: October 23rd, 2021, 11:03 pm
Nah... this "Ludwig all the way after seeing Dune" thing is exaggerated IMO. Dune's score is perfect for the movie, although it's not Han's best work I would say. I'm looking forward to seeing what freshness Ludwig can bring to this project. And this Han vs Lugwig debate is becoming irritating at this point.
Re: Soundtrack: Göransson Returns
Posted: October 23rd, 2021, 11:10 pm
Re: Soundtrack: Göransson Returns
Posted: October 23rd, 2021, 11:58 pm
Paradoxicalparabola wrote: ↑October 23rd, 2021, 11:10 pmDon't expect it to go away unfortunately. Look at Oppenheimer - General Information thread. Some people are still going at it with Retskrad on the Villeneuve vs Nolan thing.
Re: Soundtrack: Göransson Returns
Posted: October 26th, 2021, 4:26 pm
Dune's score is mind-blowing. Its being heavily lauded & rightly so. Nolan also praised it in his Q&A with Denis. The range in that score is beyond incredible.
Re: Soundtrack: Göransson Returns
Posted: October 26th, 2021, 8:09 pm
KEM wrote: ↑October 15th, 2021, 6:09 pmHans’ experimentation is more in the way of sound design, Ludwig’s experimentation is more in the way of crossing genres. I mean TENET is basically all EDM and trap sounds with djent rhythms, and then doing it all inverted. Hans NEVER would’ve done that, never in a million years, Hans has the best sound designers in the game and his sound design is impeccable, if anything I’d like to see them work together in the future
Never thought I would see the term Djent in reference to a Chris Nolan movie...but I am here for it. Waiting for Ludwig to bring in Meshuggah's bleed for the Oppenheimer closing credits.
Re: Soundtrack: Göransson Returns
Posted: October 26th, 2021, 9:41 pm
I also really liked the score for Dune, it really really fits the tone of the film, it added sooo much, the man still at the top of his game if you ask me.
Re: Soundtrack: Göransson Returns
Posted: October 26th, 2021, 9:42 pm
Oh it’s totally obvious, I mean Ludwig is a Swede after all and has confirmed multiple times that he’s a huge Meshuggah fan, no doubt he was tapping into that on TENETKingOfTheNorth wrote: ↑October 26th, 2021, 8:09 pmKEM wrote: ↑October 15th, 2021, 6:09 pmHans’ experimentation is more in the way of sound design, Ludwig’s experimentation is more in the way of crossing genres. I mean TENET is basically all EDM and trap sounds with djent rhythms, and then doing it all inverted. Hans NEVER would’ve done that, never in a million years, Hans has the best sound designers in the game and his sound design is impeccable, if anything I’d like to see them work together in the future
Never thought I would see the term Djent in reference to a Chris Nolan movie...but I am here for it. Waiting for Ludwig to bring in Meshuggah's bleed for the Oppenheimer closing credits.
Re: Soundtrack: Göransson Returns
Posted: October 27th, 2021, 4:33 pm
Thats actually easy to believe seeing how much "feels polyrhythmic but is in 4/4" he put in Tenet. U can hear it on the teaser trailer.KEM wrote: ↑October 26th, 2021, 9:42 pmOh it’s totally obvious, I mean Ludwig is a Swede after all and has confirmed multiple times that he’s a huge Meshuggah fan, no doubt he was tapping into that on TENETKingOfTheNorth wrote: ↑October 26th, 2021, 8:09 pmKEM wrote: ↑October 15th, 2021, 6:09 pmHans’ experimentation is more in the way of sound design, Ludwig’s experimentation is more in the way of crossing genres. I mean TENET is basically all EDM and trap sounds with djent rhythms, and then doing it all inverted. Hans NEVER would’ve done that, never in a million years, Hans has the best sound designers in the game and his sound design is impeccable, if anything I’d like to see them work together in the future
Never thought I would see the term Djent in reference to a Chris Nolan movie...but I am here for it. Waiting for Ludwig to bring in Meshuggah's bleed for the Oppenheimer closing credits.